This is not a review. There is no point writing reviews for these two movies because you know you are gonna watch them anyway.(Plus Ravi has reviewed Shatakarni here already). This post is just a few stray thoughts that sprung to my mind while watching these movies.
And of course, spoilers galore – especially for Gautamiputra Shatakarni. You have been warned. Continue reading
Click here for first part in this series
Take 200 years of art and history. Cram it in a city roughly the size of Rajamundry. That is Florence for you. Tucked away in the Tuscany region of northern Italy, this town grew into the cultural nerve center of Europe from 14th to 16thcentury. During those centuries, either by providence or by design, Florence birthed and nurtured towering figures of science and arts. This is the town Da vinci began his career as artist. This is the place Dante had a love-hate relationship with. These are the streets Michaelangelo walked through. And it is the final resting place of Galileo. Florence is a giant open air museum, with every street brimming with history, every square offering a story, if you are willing to listen. Continue reading
(Read Part 2 of this series here.)
Whenever the Vedic legacy faces a crisis, the fifth Veda, which is the Mahabharata, takes a new shape to redefine Dharma.
This is a loose translation of a statement made in the preface to the Andhra Mahabharatamu edition by Tirumala Tirupati Devasthanams (TTD). The conditions that led to the composition of Andhra Mahabharatamu validate the quote. The Telugu version of the epic Mahabharata has a unique distinction of being composed by not one, but three poets belonging to three different generations. It took close to 300 years for this book to reach completion. These three poets are collectively called as Kavitrayam (“Poet Trinity”) among the Telugu literary sphere. The scope of this post is to observe the conditions that inspired each of the poets to take up this work. Continue reading